The novelty (if ever there was novelty) is probably wearing off as kids become tired of the routines of home learning. Not having the ability to play with friends and simply run around with them is also adding to the lack of variety a ‘school day’ offers. It is important for everyone to get outside, to exercise and to get a good break from screens. We found last time that when the kids returned it took us a long time to bring discipline and routine back. whilst we will be more ready for this, it does remind us all that there are many aspects to a school day that kids require over and above academic learning.

There is a concept in educational research which comes from John Hattie (Visible Learning) which refers to Collective Teacher Efficacy (CTE). CTE is not just all the teachers in the school believing they can all make a difference (although this is critical). Teachers working to have appropriately high expectations of what a year’s growth for a year’s input looks like fed with the evidence of the impact is what sustains it.

 
It isn’t just ‘growth mindset’ or “rah-rah” thinking and it is not just “we can make a difference” but is the combined belief that it is us (the teachers) who cause learning – it is not the students. And it is not the students from particular social backgrounds that is the problem. Nor is it all the other barriers out there because when you fundamentally believe that you can make a difference and then you feed it with the evidence that you are, it is dramatically powerful.

 
The concept of Collective Teacher Efficacy is defined as “a group’s shared belief in the conjoint capabilities to organize and execute the courses of action required to produce given levels of attainment.” Bandura found that the positive effects of CTE on student academic performance more than outweigh the negative effects of low socioeconomic status. Researchers demonstrated that between-school differences of collective teacher efficacy were more important in explaining student achievement than socioeconomic status.

If you want to know why some schools perform well, it is often to do with CTE. We have measured this at our school, and it measures very high. (The worst outcome for any principal is leading a school where CTE is low – where staff feel deflated and don’t have belief that collectively they can make a massive difference to the child’s education.

 
During lockdown and online learning, our CTE is tested – for all teachers everywhere. We don’t always get the feedback we require when and how we want and simply teaching this way is not conducive to enhancing efficacy. However, it is important we keep our teachers’ morale high and instil a sense of belief that even though we are doing online learning, collectively, we all can still make a massive difference to each child.

 
Finally, I had to share this great article this week from Mazzocchi. It is one I agree with wholeheartedly and I could not put it better than him.  

Who Actually Quits Musical Instrument Instruction — Children or Their Parents?

By Anthony Mazzocchi

How many times have we heard from adults that they wish their parents didn’t allow them to quit their musical instrument when they were younger?

There comes a time in a large percentage of music students’ lives when they want to quit their instrument — and more often than not, parents allow them to do it. But is the child quitting . . . or is the parent?

I remember wanting to quit the trombone when I was in middle school. Honestly, it’s hard to remember why. It could have been peer pressure, boredom, or something else — but I had my mind made up. I shudder to think of what my life would be like now if my mother had decided to quit as well and give in to my pleas.

Ultimately, it is important to understand that when it comes to music education and other transformative activities that require some grit in order to succeed, most children go through a period of time where they must succeed despite themselves. They must be encouraged and supported through the tough times, not given a pass. It is only at a certain point that children — and parents — can make an informed decision to quit their musical instrument, and that point is usually much later, not sooner, than one may think.

Here are a few ways that parents are the ones that quit music instruction, and some thoughts on overcoming the tough times with our children that are bound to occur:

“I can’t bug my child to do one more thing.” I have heard this line so many times as a teacher and administrator. A parent tells the teacher that their child will be discontinuing music because they haven’t had any luck getting their child to practice, and the “child doesn’t want to play anymore.” In addition, the parent says the child “seems to be over-scheduled and is overwhelmed with the demanding school curriculum.”

This parent has clearly given up.

There are many things that children need to do that they do not want to do. They don’t want to bathe, do homework, brush their teeth, or do their chores oftentimes. But we as adults understand that we would be teaching them to be irresponsible if we gave in. We also understand that children are not old or mature enough to make many life decisions — but when it comes to quitting music instruction the rules somehow seem to change. The truth is that we can insist our child do “one more thing,” and if that’s really not humanly possible, a curricular activity such as music should not be at the bottom of that list.

Parents have overcommitted their child. Our children are growing up in a time where the U.S. has turned into a society of “overachievers”. Downtime or activities that are perceived to be “fun” (i.e. music and the arts) are considered wasted time because concrete results are not being measured and money (and a job) is not at the end of the equation. Children have so many choices of ways to “enrich” their lives that quitting has become an easy response to frustration or boredom. Most adults regret many of the things in life that they quit, especially because they could have had stuck it out, reached a good level of proficiency and found that enjoyment that seemed to elude them earlier. Parents need to remember this fact and encourage their children to stick with music instruction for at least two years, if not through middle school.

Parents must remember what their goals for their child’s education are. Perseverance, commitment, loyalty, and grit are all values I hope that I — and my schools — instill in my children. Learning to endure something even when it temporarily becomes boring or unpleasant or when the teacher isn’t the most engaging person in the world is a lesson truly worth teaching. I would argue that the time you let your child walk away from something just because at that moment it doesn’t suit them is the last time you may have any credibility with them about endurance or resilience ever again.

Parents, teachers and students have a misguided view of passion. Parents often talk about helping kids find their passions. When parents allow their children to quit music, we often hear excuses such as, “Music is not where my child’s passion lies, it seems.” But most of the time, passions do not always appear out of nowhere; they are often a result of hard work and dedication — the happiness that comes from doing something well over a period of time. I have spent most of my life reaping the rewards of a life devoted to music, yet in 7th grade I was begging to quit. And there are thousands upon thousands of other children who were not allowed to quit who have gone on to rewarding lives in many fields that would never have been possible if not for their musical education.

Your child’s experience with their music studies will shape their adult lives more than you will ever know.

Parents need to embrace the struggle that their children are facing. The reward of performing a piece of music after overcoming obstacles during practice is a great vehicle for parents to teach their children that true growth occurs when we struggle a bit. Learning to deal with struggle yields some of the greatest benefits imaginable over time when applied to other areas of life. But a child’s struggle is a parents struggle as well, of course. There are bad days — and some really frustrating days. There may be tantrums and miserable practices and screaming scenes where you may feel as if you are at the end of your rope. But if you stick with it, your children will have long, enduring relationships with instructors and classmates who will change and enrich their lives. Don’t forget to reach out to your child’s teacher for extra help during these challenging times — I promise you that they will pass.

Your child’s experience with their music studies will shape their adult lives more than you will ever know. They will be different people in the best way imaginable — people who would be far poorer intellectually without music in their life. Let’s not kid ourselves — children quit things all the time. Sometimes it’s even the right thing to do, but sometimes they are simply bored or don’t like the teacher or would just rather do nothing at home — and that is not acceptable or in their best interest over the long-term. Deciding when to let your child quit is a difficult problem that never goes away, but it is safe to say that one year is simply not enough time for anyone to decide whether to stay with musical instrument instruction or not.

Maybe you didn’t study music. Maybe you quit prematurely and you didn’t even realize it — but the road is open to your children, so steer them down it. They will never tell you later in life that they are angry at you for not letting them quit.